Ghanaian rapper and singer Black Sherif has opened up about why themes of women and sex are noticeably absent from his music, stating that his artistic focus is guided by purpose, not popularity.
In a recent interview with Graphic Showbiz, the award-winning musician revealed that his decision is not out of disrespect for such topics, but rather a reflection of his desire to deliver deeper, more meaningful messages.
“I don’t just write to chase trends or attention,” he said. “My goal is to connect with people on a real level—to share stories about survival, pain, ambition, and self-discovery.”
Known for emotionally charged tracks like “Kwaku the Traveller” and “Second Sermon”, Black Sherif’s music has become a voice for a generation grappling with hardship and hope. His lyrics often echo the struggles of youth, making him one of the most relatable and impactful artists on the Ghanaian music scene today.
Sherif explained that his songwriting process is intentional and rooted in honesty.
“When I sit down to write, I’m clear about the message I want to send,” he noted.
“I won’t compromise my values or artistic integrity for short-term fame. That mindset is what pushes me to keep evolving and staying true to myself.”
Born Mohammed Ismail Sherif, the Konongo native shot to fame in 2021 with a wave of raw, introspective records that earned him a loyal following. His breakout hit “Second Sermon” quickly became an anthem for Ghanaian youth, followed by the global success of “Kwaku the Traveller.”
His debut album, The Villain I Never Was, was widely praised for its fusion of drill, trap, and Afrobeat, layered with deeply personal and reflective lyrics.
Now a celebrated figure across Africa and beyond, Black Sherif continues to push the boundaries of modern Ghanaian music. His commitment to authentic storytelling over superficial trends has not only set him apart but has cemented his role as one of the most influential voices of his generation.
Story By: Afia Ohenewaa Akyerem